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Heleen Van Royen Self Made Pdf 52


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Heleen van Royen Self Made: A Photographic Memoir of a Dutch Author


Heleen van Royen is a Dutch author who is known for her provocative and controversial novels, such as De gelukkige huisvrouw (The Happy Housewife) and De ontsnapping (The Escape). In 2014, she published a book called Self Made, which consists of 200 self-portraits that she took with her smartphone over the course of a year. The book is a candid and intimate exploration of her life, sexuality, aging, and identity.


The book was originally published in Dutch, but an English translation is available as a PDF file on various websites[^1^] [^2^]. The PDF file contains 52 pages of photos and captions, as well as an introduction by the author and an interview with a journalist. The photos range from mundane to erotic, from playful to melancholic, from glamorous to vulnerable. They show van Royen in various settings and moods, such as in bed, in the shower, in the car, at the beach, at parties, with friends, with lovers, with family, and with herself.


The book has received mixed reviews from critics and readers. Some praised it as a brave and honest self-portrait of a woman who does not conform to social norms and expectations. Others criticized it as a narcissistic and exhibitionistic display of a woman who seeks attention and validation. Van Royen herself has said that the book is not meant to be a statement or a manifesto, but rather a personal experiment and a creative challenge. She has also said that she hopes that the book will inspire other women to embrace their own beauty and sexuality.


Van Royen is not the first author to use self-portraits as a form of artistic expression. In fact, she has been influenced by other writers who have done the same, such as Sylvia Plath, AnaÃs Nin, and Marguerite Duras. These writers have used self-portraits to explore their inner worlds, their relationships, their emotions, and their creativity. Van Royen has said that she admires these writers and that she wanted to follow their example.


However, van Royen's self-portraits are also different from those of her predecessors. They are more explicit, more digital, and more public. They reflect the changes in technology and culture that have occurred in the 21st century. Van Royen has used her smartphone as a tool and a companion, as well as a medium and a platform. She has shared her self-portraits on social media, such as Twitter and Instagram, where she has thousands of followers. She has also exhibited her self-portraits in galleries and museums, where they have attracted both admiration and controversy.


Van Royen's self-portraits are not only a reflection of herself, but also a reflection of the society she lives in. They raise questions about the role of women, the nature of sexuality, the meaning of beauty, and the impact of technology. They challenge the stereotypes and norms that often limit and oppress women. They also invite the viewers to question their own assumptions and prejudices. Van Royen's self-portraits are not only a self-made memoir, but also a self-made statement. 248dff8e21






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